Showing posts with label Ken Curtis. Show all posts
Showing posts with label Ken Curtis. Show all posts

November 09, 2019

An Interview with Comedian Mark Staggs

On this blog, I talk a lot about one of my favorite actors who is famous for playing a certain character: Ken Curtis played "Festus Haggen" on television's longest-running Western, Gunsmoke. Curtis essentially created Festus, modeling him after a few people he knew in real life, and letting him evolve over the years. 

But long after Gunsmoke's final episode aired, and Ken Curtis passed away, Festus' legacy lives on in a fun way.

Meet Mark Staggs, comedian and celebrity impersonator.



June 18, 2019

An Interview With ~ Pandra Selivanov, Ken Curtis Fan

To start with, can you tell us a little bit about yourself and how you came to be a fan of Ken Curtis?

Well, I live in San Diego, and I work in the public school system as a behavior technician. I love animals, especially dogs, and I've adopted several dogs over the years out of the animal shelter. I also love music, and I play the penny whistle. I have a small Yahoo! group called Us Haggens.

May 01, 2019

Over the Santa Fe Trail (1947)



Plot: Curt is accused of being involved in a series of robberies, but he suspects the real outlaw is the boss of a medicine show.


April 10, 2019

An Interview With ~ Helen, Ken Curtis Fan

Tell us a little about yourself and how you came to be a fan of Ken Curtis!


Well, I'm Helen, one of the very few UK members on the Ken Curtis fan page. I grew up in Cornwall, which is the bottom left-hand corner of England, the bit that sticks out into the Atlantic Ocean. So the coastline and the sea is very much part of me. These days I live in NW England, in fact only about one and a half miles from the ancestral home of the Dodge family who founded Dodge City.


Growing up in the countryside, there weren't many other kids around, so I played out with the cattle on the other side of the garden fence, and practiced shooting tin cans off posts with a rifle. I always loved Westerns and often dressed up as an Indian and ran around with a homemade bow and arrow. I had my own pocket-knife, but was pretty useless at whittling. I don't actually remember Gunsmoke (or Gun Law as it was called in the UK) being on the TV, because I was a bit too young, but I'm pretty sure I would have seen it. I certainly remember watching The Virginian which was from a similar time period.


January 15, 2019

An Interview With ~ Pam Allan, Ken Curtis Fan

Pam Allan lives in Georgia and has a love for animals; she owns a cat named Curtis, a sugar glider named Sydney, a rabbit named Lennox, a ring-necked dove, and five fish. She enjoys volunteering at a nearby animal rescue, but what she also has a love for is anything related to singer-actor Ken Curtis.

CBS photo by Gabor Rona [Public domain], via Wikimedia Commons

Curtis is most famous for his role as Festus on television's Gunsmoke, as well as being a member of The Sons Of The Pioneers, for several years. Early in his career, he sang with Shep Fields' and Tommy Dorsey's Orchestras and starred in a series of singing cowboy movies for Columbia Studios.

As one of the administrators of the Ken Curtis Fan Group on Facebook, which has over 6,000 members, Pam has collected a wealth of both memorabilia and knowledge when it comes to Curtis, and she agreed to answer a few questions for us about her interest in him:


October 08, 2018

Lone Star Moonlight (1946)



Plot: Returning war hero Kurt Norton wants to start a TV station in his town, but he will have to battle Eddie Jackson, who not only wants the TV station, but also Kurt's girl.

April 23, 2018

Singing On the Trail (1946)




Plot: Curt Stanton is a singer hoping to get a job on the prestigious Circle X Ranch. He is mistaken for a gunman by the Hoosier Hotshots, who unknowingly bought the ranch off two crooks (who themselves purchased it with stolen money). The Hotshots hire Curt, who really can't shoot, to protect them from Dusty King, who was swindled by the bad guys and is convinced that the Hotshots are outlaws, too.

March 27, 2018

Cowboy Blues (1946)




Plot: It's the old cliche plot in which a father lies to his daughter and tells her he owns the ranch where he actually works as a handyman. When the daughter comes to visit, all of the old man's friends help make it look like he does own the ranch, leading to more and more problems and deception as the real ranch owner comes back.



Starring. . . .

Ken Curtis

Jeff Donnell
Guy Kibbe
Guinn 'Big Boy' Williams
The Hoosier Hotshots
      Ken Trietsch
      Hezzy Trietsch
      Gil Taylor
      Charles "Gabe" Ward

Mrs. Uppington (Elizabeth Randolph)
Robert Scott (Mark Roberts)
Peg LaCentra
The Town Criers
Deuce Spriggens & His Band
Carolina Cotton
Andy Parker and The Plainsmen
Al Bridge 
Ruth Herscher 


*******************************************************************

Storyline Roundup (note: SPOILERS)


The film opens with scenes around the Bar B Ranch, a vacation spot hopping with people. After performing a song, the Hoosier Hotshots "calm" a complaining guest, and then watch as handyman Dusty (Kibbe) tells a tall tale to another guest (Dick Elliot) and sells him a feather that, he tells him, came from Sitting Bull's war lance. When questioned by the Hotshots, Dusty admits to sending all of his money to his daughter, Susan, who lives back East.



He also tells them that Susan thinks he owns the Bar B Ranch.

Little does Dusty know that Susan (Donnell) is not that far away, even as he speaks. She and her high-society fiance, Jerome Winston (Scott), are a few miles away, trying to locate the ranch. Under less-than-pleasant circumstances, they meet cowboy Curt Durant (Curtis) and Big Boy (Williams). Despite the fact that he saved her from an angry bull, Curt and Susan butt heads.



Susan calls her father from a gas station and informs him that she and her fiance are on their way to see his parents in San Francisco, and they want to stop by and see him. Dusty doesn't want to embarrass Susan in front of Jerome. The Hotshots come up with the idea of Dusty pretending to own the ranch (the real owner, Mr. Peters, is away for a couple weeks). They get all the staff and guests on board, except the assistant manager who is out working with cattle. Dusty is unsure if he will string along with them or not.

The assistant manager doesn't show up until after Susan does, and when he comes, he turns out to be Curt Durant. Susan wants him fired after how rude he was to her and Jerome earlier. Before Curt has a chance to say anything, the Hotshots whisk him away and explain things to him. Finally, he agrees to go along with their plan.



Curt apologizes to Susan and Jerome for losing his temper at them, and although he and Jerome almost get in another argument (Jerome doesn't think Curt was as rude as he claims to have been), everything gets patched up.

That Saturday, Jerome and Susan attend the weekly "rodeo," which Curt rides in. Jerome has his eye on Lucy (LaCentra), who also happens to be Big Boy's girl. After the rodeo, Curt takes Susan on a ride around the ranch, and Jerome takes a ride with Lucy. By the end of the ride, Curt is thoroughly charmed by Susan, and Big Boy is more than a little jealous of Jerome.



Things change quickly when Curt gets word that Mr. Peters (Bridge) is on his way back to the ranch. With lots of creative methods, the Hotshots and Curt manage to keep him from causing trouble. They even kidnap him to keep him from getting to the ranch. After he escapes, Curt convinces him to shave his signature beard, in order to fool some (imaginary) outlaws who are after him, and then calls the sheriff to arrest the "crazy man claiming to be Mr. Peters."

Convincing Peters that outlaws are after him


In between all this, Jerome is spending a lot of time with Lucy, and Susan and Curt are falling in love.

"Too bad you're leaving tomorrow just when we're getting so well acquainted," Curt says gently to Susan. "I thought maybe—"

"Oh, Curt, I . . . I promised to marry Jerry," Susan says, and walks away

.

Just when Susan and Jerome are in their car ready to leave the ranch, they get a message that his parents are going to meet them at the ranch in a few days and travel with them back East for the wedding.

Curt is happy to have Susan around for longer, but this also means keeping Mr. Peters away longer. Curt decides to give the Winstons a welcome that will "make them want to get out of here in a hurry." The welcome includes a wild stagecoach ride and an fake Indian attack, resulting in much trauma for the strait-laced couple. Susan is furious as Curt.

That night at a party for the Winstons, Susan is maybe starting to miss Curt a little bit, and when he dedicates a song to "a good friend he's very fond of," she expects to be the one he serenades, but he walks right past her and sings to a little girl.


Little Cowgirl

Carolina Cotton and The Plainsmen performing at the party

Soon afterwards, everything comes crashing down. The sheriff has figured out that the man claiming to be Mr. Peters really is Mr. Peters, and they come after Curt.

Curt tries to take the all blame, but to save him, Dusty tells the truth in front of everyone: Susan, Jerome, the Winstons, Mr. Peters, and the sheriff.

The Winstons forbid Jerome to marry the daughter of a handyman, but Susan has decided she doesn't want to marry into that class anyhow. Lucy also decides Jerome isn't her cup of tea, and she proposes to Big Boy.

Mr. Peters drops charges against Curt and even lets him keep his job, knowing that Curt is really a good man. Susan knows that Curt is a good man, too, and they have a happy ending.





*******************************************************************

Songs:

Rhythm is Our Business (written by Jimmie Lunceford, Saul Chaplin and Sammy Cahn) (performed by the Hoosier Hotshots)

A Lot of Elbow Room (written by Ken Curtis and Lee Penny) (sung by Ken Curtis)

The First Thing I Do Every Morning (written by Lee Penny) (performed by the Hoosier Hotshots)

When We Put a Radio in the Hen House  (performed by the Hoosier Hotshots)

I'm Thinking Tonight of My Blue Eyes (credited to A.P. Carter) (sung by Carolina Cotton)

Blue Bonnet Gal (written by Glen Spencer) (sung by Ken Curtis)

The West is as Wild as Ever (written by Andy Parker) (performed by Andy Parker and the Plainsmen, and Deuce Spriggens and His Band)

I've Been Down in Texas (written by Joe Greene and John Criner)  (performed by Deuce Spriggens and His Band, Carolina Cotton, and Andy Parker and the Plainsmen)

Back Home Again in Indiana (written by James F. Hanley and  Ballard MacDonald) (performed by the Town Criers)

Little Cowgirl (written by Ken Curtis and Dink Rogers) (sung by Ken Curtis)

The Coat and the Pants Do All the Work (performed by The Hoosier Hotshots)




*******************************************************************


Cowboy Blues is a 1946, Columbia Pictures Production

64 minutes running time

Director: Ray Nazarro

Producer: Colbert Clark

Screenwriter: J. Benton Cheney

Film Editor: Jerome Thoms

Director of Photography: George F. Kelley

Set Decorations: Robert Bradfield

Art Direction: Charles Clague

Musical Director: Paul Mertz  


November 16, 2017

Ken Curtis—The Early Years

Ken Curtis – The Early Years
by Pam Allan


When 1912 rolled around, Dan and Nellie Gates and their 3-year-old son Carl were living in Arkansas. The lure of free land out west must have been too much of a draw for the young family and they packed up and left their home and family behind. They left with their first-born and ended up in Kansas for a while. Nellie was pregnant when they left and when they arrived in Kansas she gave birth to their middle son Chester Kenneth. I’m not sure how they eventually arrived in Colorado – whether by train or by wagon – but arrive they did and Dan began the life of a rancher raising herefords and grazing them in the Arkansas Valley.

Life wasn’t easy – no electricity, no powered farm machinery – everything was done by horse or mule or just pure tenaciousness by Dan. Their home was a sod house. Nellie washed clothes in the creek when the weather permitted. I’m not sure if she even had a wood stove at this point – I know eventually she did.

In 1916 the family added their third son Curtis Wain. They had no idea the impact this boy would make around the world. Curtis Wain would eventually use the name Ken Curtis for his professional name.

Curtis spent his early childhood on the ranch where the family raised hogs and lived on game in the area. In an interview with Ken, he remembers “….living in a sod house, milking cows in the morning when it was so cold you’d stick your fingers up between the udders to unfreeze ‘em.” (from the Manhattan Mercury – Manhatten Kansas 4/10/64)

Times were hard for so much of the country – between the financial crisis that kept hitting the country and weather related disasters, ranching just wasn’t providing a regular income to raise three young boys and take care of a wife. One particularly hard winter when a blizzard hit, Dan lost most, if not all of his herd of around 75 cattle. As the family was digging out carcasses of the lost cattle, one of the Curtis’ brothers trying to make the best of a bad situation, said “We can get rich off the hides.”

By 1926 times were getting so bad Dan made the decision to provide a more regular income for his family and moved to Las Animas, Colorado where he ran for sheriff of Bent County, CO. He won the election and the family moved into the jail and to what was probably a palace compared to the sod house They lived below the jail and Curtis helped his parents with the prisoners.

In an interview with the Oakland Tribune 6/17/73 Ken recalls “People used to get arrested just so they could stay in my Dad’s jail and eat my mother’s cooking. The prisoners ate the same as mother cooked for us, so it was mighty good. It was depression time and people weren’t eatin’ too good. My mother was a very plain, but a very good cook. I can never remember a morning we didn’t have hot biscuits for breakfast. She got up around 5 am and cooked on an old wood stove. She served the biscuits with plenty of the good fresh butter she churned. We milked four cows and had a little place over at the old livery stable to keep the cows. Breakfast was a really good meal – homemade jam or jelly, fried eggs, bacon or ham. We always had our big meal at noon and supper at night. I remember mother was allowed about a dollar a day to feed each prisoner. She was a really good manager.” Ken also said about his childhood, “I attribute that ability [to be easy going and roll with the punches] to my background. I’ve often said I wouldn’t take anything in the world for where I was born, when I was born and everything that happened to me during my childhood. It was all a great big plus for everything I’ve tried to do since.”

The Gates family was very musical and in a Ken Griffis interview with Ken Curtis on Nov. 1, 1968, Ken recalls his father being very musical “He played just about every string instrument. Couldn’t read [music], of course, but it was just a natural talent. And all of us sang to some extent.” Ken played the saxophone and clarinet but never played the guitar except for chords. His brother Chester (aka Dudley) played the banjo and accompanied his father. “In fact, my early childhood was with the old square dances back in Colorado. We used to have, you know, just the ranchers get together and have a Saturday night dance, of course, and Dad played the fiddle. Mom used to chord on the organ, the old pump organ, and Dud[ley] played banjo. And I used to sleep on the benches around the side of the room, you know.” When he wasn’t sleeping he would do clog dances.

Curtis’ earliest interest in music was around 6th or 7th grade in grammar school.

Curtis would be in the kitchen with his mother while she made biscuits, her hands covered in flour and she would start singing and he would join in – she would drift into a part and he would soon be singing her part instead of his, and she would thump him on the head. He recalls flour drifting down past his eyes.

When the family wasn’t singing and playing together they worked at the jail. Curtis at the age of 12 or so was a turnkey and would take the prisoners' food to them while his mother stood by with a shotgun.

The only escape during his dad’s tenure as sheriff happened when Ted the dog started barking. Curtis’ mom, thinking he was after the chickens, was running him off while the prisoners (who he was actually barking at) hit the road.

One memorable character from Curtis’ childhood was a man called Cedar Jack. He would cut down cedar trees for fence posts. After a few months he’d load up his supply of posts and bring them into town by mule- drawn wagon. He’d sell his posts and take the money and get roaring drunk. Occasionally he’d end up in jail and eventually he’d head back out to start the whole process again. This man was to have a huge influence on Curtis’ adult alter-ego, Ken Curtis. He based his character of Monk on Have Gun Will Travel after Cedar Jack and to some extent based certain mannerisms of Festus on him.

Curtis attended Bent County High School, where he played saxophone, played football, and helped found the school newspaper. He also entertained with a group called Dan [I don’t think this name is correct – I’ve seen two different names in reference to this group] Denny and his Dozen Diamonds. He must have been a good student because he earned a scholarship to attend Colorado College in Colorado Springs.

Before he left for college and while still in high school, he was instrumental in the founding of an annual celebration in Las Animas called Santa Fe Trail Day. He and friend wearing nothing but breech clothes (until they had some complaints and had to put on more respectable attire) rode in the first parade. Hank Dodson provided an article giving more information about that first year: The article is from the “Pueblo Chieftan,” titled "One of Las Animas' Favorite Sons Played a Key Role in Organizing the First Santa Fe Trail Day." 

According to Teresa Garcia who presently coordinates the annual event, Curtis roused the crowd at the first event in his own happy-go-lucky way.

Through interviews Garcia has conducted with members of the class of 1934, she said that most recall the comical and outgoing Curtis and classmate Raymond Foster stealing the show during the parade by dressing as Native Americans and riding on horseback through town (probably bareback, my words). 

People say that the two boys used cinnamon to color their skins and wore headbands and feathers. They got in trouble. Teachers said that they were dressed indecently because they were wearing nothing but breech-cloths. "This was not acceptable and they had to cover up more" Garcia said.

It's possible that Ken is the one on the left, not right.

Garcia said legend has it that they covered up temporarily with some blankets until somewhere along the parade route they returned to just the breech-cloths. "I've been told that after the parade, at the evening dance, he (Curtis) was so severely sunburned that he couldn't even participate." Garcia said with a laugh.

A year after high school Curtis headed to college.

He entered intending to become a surgeon, and he attended three years of pre-med before dropping out. During that three years, he played football and participated in track events. I’ve got the three yearbooks from his college years and they only show him on the football team one year – he isn’t in any of the track pictures at all. He did mention he had to work a lot so it could be he wasn’t available for pictures. He was in a fraternity and one of his fraternity brothers and member of the glee club he sang with would be the first person in his hometown back east to die in World War II. 


Curtis in football uniform

Curtis had traveled to this friend’s home and worked the summer doing manual labor, I suppose to earn money, and he must have made a good impression on his parents. Years later, his parents would appear on “This is Your Life: Ken Curtis” and be reunited with their son’s close friend. He also wrote musicals for the college and sang in the glee club. Because his singing and song writing got such a positive feedback, he decided music would be his future and not medicine.

One interesting note is that sometime while Curtis was in college or shortly after he left, his mother became a widow and his father a widower! In 1935, Nellie is still listed as living in Las Animas, but by the 1940 census she is a “widow” living in Denver as a housekeeper. His father is a “widower” living in Las Animas raising stock. Apparently, divorce wasn’t looked upon well back then and they had to cover their tracks somehow.

Meanwhile back in Colorado Springs in 1938 or so, Curtis decided to head out to California to try is luck in the music field and that, friends, is another story I will write at a later day.

A young boy born on a ranch in southeastern Colorado would realize his dream of fame, although maybe not exactly how he planned it. What an impact he has made on thousands who love watching him act and listen to him sing. In an interview with The Daily Standard in Sikeston, MO, 8/8/68, Ken reflects: “It’s funny, I really wanted to be a doctor, but when you’re up before a crowd of 10,000 or so, and you see them laughing and enjoying themselves, it’s rewarding. I feel that’s pretty good medicine.”

Yep – Ken, you are good medicine to a world that needs to smile and laugh more – and you brought so much of that. And even though you are gone, you still make us smile and laugh. What a legacy from a humble man who loved his fans, family and country.







October 26, 2017

Stallion Canyon (1949)






Plot: Foreman Curt Benson tries to help ranch owner Milly Collins from losing her ranch to Tom Lawson, who holds the mortgage note. But things keep going wrong, like a wild stallion running off with some of Milly's horses, and a stampede. When Curt's friend, Little Bear, is blamed for the murder of one of Lawson's ranch hands, Curt starts wondering if there is more to Milly's trouble than meets the eye.  





Starring. . . .

Ken Curtis
Shug Fisher
Carolina Cotton
Forrest Taylor
Ted Adams
Billy Hammond
Roy Butler
Alice Richey
L.H. Larsen
Dick Hammer
Clark Veater
D.C. Swapp
Gail Bailey
Bud Gates
Bob Brandon



***************************************************************************

Storyline Roundup: (note: SPOILERS)



Curt

The picture opens to a scene of cowboys rounding up a herd of wild horses. One of those cowboys is foreman Curt Benson (Curtis). After corralling the horses, Curt stops to talk to Tom Lawson, a neighbor who happens to hold the mortgage on Aunt Milly's ranch, where Curt works. Curt admits that they are having to round up wild horses to pay off the note. Milly already sold off most of her good stock.

While they are talking, Blackie (Fisher) notices a stallion running free down in the valley. The stallion manages to steal the horses that were just rounded up before anyone can do anything. Lawson pulls his rifle out of its scabbard and aims at the stallion. Curt stops Lawson before he pulls the trigger. "Since when did you become a wild horse killer?"

"That horse is an outlaw!"

Curt defends the horse, pointing out that the stallion's biggest fault, as far as they are concerned, is that no one has been able to catch him.

Lawson, rather annoyed, rides off. Curt and Blackie admire the wild stallion as he speeds across the desert, and discuss how they would like to own him. "But I'd just like to see the man that could put a hand on that stallion!" Curt says.

There is one man who can do it.






Little Bear (Billy Hammond) is an Indian who has developed a friendship with the animal. "You like me. You wild one," the man says to the horse. "You want see all your kind free, to run range. You no trust cowboy; they put saddle on you. Then you no free." He sends the horse away.

Back at the ranch, the cowboys are just arriving, and Aunt Milly (Richey) and her niece Ellen (Cotton) see the obvious lack of horses, and start chewing Curt out for letting the stallion steal the herd. Without some money, and soon, Aunt Milly could lose the ranch. Curt vows to put a rope on the stallion one day.

Little does Curt know that Lawson is the one responsible for the loss of the horses. He and his top hand Wolf (Adams) have a pretty slick game going, but two certain men are a threat to their operation—Little Bear, and a new employee of Lawson's, Johnny Adams, who refuses to help with their shady deals. Lawson tells Wolf he knows how to solve both problems.

Little Bear has already gone to Curt and told him that he saw some men—he couldn't tell who, for sure—letting the stallion go. Little Bear says he will be certain of who they were after he goes and looks at a suspect's horses. He says he will come back and tell Curt later.

After Little Bear leaves, Ellen comes looking for Curt. "Benson! Listen, I have an idea how we might get enough money to help Aunt Milly." Ellen wants to enter Aunt Milly's horse, Rowdy, in the annual stockman's race.

The next day, when Curt rides into town, he assumes the crowds are because everyone came to enter their horses in the race, but the sheriff (Butler) informs him that everyone is "tryin' to figure just why Little Bear shot and killed that cowboy Johnny Adams out at Lawson's Bar 6 ranch last night."

Curt is shocked and doesn't believe Little Bear would kill anyone. 

One clue is that Adams was killed with an expanding bullet (a "dumdum") and the rest of the bullets in the gun Little Bear had were normal. Although they have the gun Little Bear used, the Indian himself got away.

Curt finds Little Bear hiding in a barn right in town, and Little Bear tells him that he was knocked out while snooping around Lawson's ranch. But he did find the horses he was looking for—the horses that carried the men who are after Milly's ranch.

A bit later, Curt and Aunt Milly and Ellen run into Lawson and Wolf on the street. Curt provokes them, hoping to get bullets from their guns to compare with the bullet taken out of Adams. (Kind of a risky way to go about it, huh?) The sheriff interrupts before things get nasty.

Curt heads up into the hills to round up Milly's cattle. Wolf follows and tries to ambush him, but Curt turns the tables and knocks Wolf out cold in a fist fight. After knocking the dust off his hat—the most important thing to do, of course—Curt removes the cartridges from Wolf's gun. When Wolf comes to, Curt warns him to "keep away from me." He lets him go.

And then, the big cattle round up begins. 

Curt and the rest of the cowboys work the cattle, and Ellen and Milly cook for them. Ellen admits to her aunt that she is sweet on Curt. That night, Curt and Ellen sit close together by the campfire, and Curt sings "The Hills of Utah."





Ellen and Milly drive home for the night, and then Lawson's men stampede the cattle, ruining the chance of getting them on the train before the two-week deadline is up. Curt catches one of the bad guys, named Luke, and recognizes him as one of Lawson's men.

Curt announces that it is time for a showdown with Lawson. When Ellen hears about it, she rides into town for the sheriff. Curt and a few others ride to Lawson's ranch and call him out. He answers with gunfire. A full-fledged shootout begins and continues until the sheriff and Ellen ride up. Lawson finds excuses for every insinuation Curt throws at him. With no proof, Curt is forced to leave. "We'll settle this our own way," he says.

Now, with no wild horses and no cattle, Aunt Milly's only hope of paying off the note in time is Rowdy, her horse. But Lawson has a three-year-old racehorse that, Milly knows, Rowdy cannot beat.

While out trying to gather up a few head of cattle, Curt manages to get a rope on the wild stallion, but the horse runs off with the rope around his neck. Little Bear, who has been hiding at the ranch, calmly walks up and pets the stallion, handing the rope back to Curt.

He asks Curt what the stallion will be used for. Curt replies that he would like to use him to win the race for Aunt Milly. This satisfies Little Bear, who just doesn't want the stallion to be put under a saddle. Little Bear swings onto the stallion and rides him to the ranch, with Curt and Blackie trailing behind, thoroughly dumbfounded.

The sheriff finds out about Little Bear's hiding spot and comes to arrest him. Before he is taken away, Little Bear gives strict orders to Curt to never put a saddle on the stallion.

And attempts at riding the stallion don't go very well, but Curt says that he will get a rider for the stallion yet.

On the day of the race, Lawson bets Milly a thousand dollars and her debts against his three thousand that his horse will beat her horse. He doesn't realize she is entering the stallion. Ellen names the stallion Miracle Boy.



Meanwhile, Curt makes a sort of deal with the sheriff so that Little Beat can ride Miracle Boy in the race. Curt knocks the sheriff out (with his permission, of course), and unlocks Little Bear's cell.

But Little Bear refuses to ride. He says that the horse belongs to Curt, and Curt should ride him. Finally, Curt talks Little Bear into it, promising to give him the horse if he wins. "Me ride," Little Bear says.

While the race is happening, the sheriff arrests Lawson and Wolf, with a little help from Curt, after their guilt becomes apparent.

Little Bear and Miracle Boy win the race, which means that Milly gets to keep her ranch, and Little Bear gets to keep the stallion.

The movie closes as Curt, Ellen, and Little Bear ride to the top of a ridge. Little Bear releases the stallion back into the wild, free to roam again.



The End





****************************************************************************

Songs:

Hills of Utah (written and sung by Ken Curtis)


*****************************************************************************




Stallion Canyon is a 1949 Kanab Pictures Corporation production
Distributed by Astor Pictures Corporation


Director: Harry L. Fraser

Producers: H.R. Brandon
                    Robert L. Fenton

Writer: Hy Heath

Cinematographer: Jack McClusky

Film Editor: Ray Snyder

Art Director: H.R. Brandon

Production Manager: J.E. Froman

Sound Department by: Lyle Willey

Music Department: Emil Velazco

Production Assistant: Jack Lewis


*******************************************************************************

Links:


Carolina Cotton's script for Stallion Canyon.






September 12, 2017

Throw a Saddle On a Star (1946)





Plot: Curt Walker's father, Andy, bets their ranch against $10,000 that Curt will win the rodeo championship.



Starring. . . 

Ken Curtis

Jeff Donnell
Adele Roberts
Andy Clyde
Guinn "Big Boy" Williams
Frank Sully
The Hoosier Hot Shots
      Ken Trietsch
      Hezzy Trietsch
      Gil Taylor
      Gabe Ward
Foy Willing and the Riders of the Purple Sage
      Al Sloey
      Darol Rice
      George Bamby
The Dinning Sisters
     Ginger
     Jean
     Lou
Robert Stevens (aka Robert Kellard)
Eddie Bruce
Edward Peil Sr.
Ace Williams
Buck Shaw
Danny Weir  



****************************************************************************

Storyline Roundup: (note: SPOILERS)


"The West is no longer a frontier peopled by two-gun pioneers and alive with lurking danger behind each tree. But the wide-open plains still resound to the thunder of galloping hoofs, as bands of wild horses roam the country. And the modern cowpuncher still lives as dangerously. He still smiles and sings as his forerunners did in frontier days. But now he sings of strawberry roans . . . AND a strawberry blonde."



After this opening narration, the scenes change to a corral that Curt Walker (Curtis) and the Riders of the Purple Sage are preparing for a wild stallion. They are singing, "The Strawberry Blonde on the Strawberry Roan," and after they finish their song, Big Boy (Williams) rides up to tell them that the particular "outlaw" stallion they have been trying to catch is in a valley nearby.

"Okay, boys, let's go!" Curt shouts and everyone scuttles to their horses.

They manage to capture the stallion—Dynamite is his name. The horse has a price on his head, to be paid if delivered safely.

The fellas go back to the ranch house to tell Curt's dad Andy (Clyde) that they got the horse. Before they get there, though, a sheep rancher named Burton (Kellard) comes. He makes a bet with Andy, a habitual gambler, staking the ranch against Burton's $10,000, on Curt winning the rodeo championship. Burton evens draws up an agreement "to keep it legal."

Andy and Burton

When Curt finds out what his father did, he is appalled. He loses his temper, but quickly apologizes, and says that they haven't lost the ranch yet and "given an even break at the rodeo, we won't."

Curt and Big Boy start out for Smoky River, where the roundup/rodeo is being held and where they need to deliver Dynamite. On the way, they meet up with the Hoosier Hotshots, the Hotshots' sister Barbara (Roberts), and Barbara's friend Judy (Donnell). Their run-in is not so pleasant for either group.



The Hoosier Hotshots arrive in Smoky River for their singing engagement, and learn that there are no available hotels or boarding houses. They will have to camp in a barn.

Curt and Big Boy get into town shortly afterwards, and they meet some other rodeo cowboys (Ace Williams and Buck Shaw) who tell them that a man named Burton offered them a thousand dollars each to make sure Curt doesn't win the rodeo. Curt promises he will keep an eye open for trouble.

When Curt and Big Boy deliver Dynamite, the man who offered a reward for him tells them that he's sold Dynamite to the rodeo circuit. "Whoever draws [that horse] might as well kiss the championship goodbye," remarks one of the cowboys.



Meanwhile, the Hotshots and the girls are setting up camp in the barn and they are "arrested" for working during frontier week, on top of using a barn they didn't have permission to use. The penalty is a song, and Andy, who is sort of the judge, demands it from Barbara. Curt listens to her sing and is charmed. But when Barbara learns that it was his dad who sentenced her, she is more angry than ever.


Once again, the Hotshots leave mad, but their attitudes change later that night when they get hungry and cold attempting to camp "on the range," and Curt and his group feed them. Barbara, at first, refuses to stoop so low as to join in. Curt brings her a plate full of food and just leaves it for her. Once he is out of sight, she starts devouring the food. Curt, waiting not too far away, laughs at her. "Tastes good, eh?"

She starts laughing, too, and the wall between them is broken. In fact, they are getting along quite nicely, and the Hotshots, Judy, and Barbara go to stay at Curt and Andy's ranch.



Curt and Barbara become more attracted to each other. They talk about him quitting the rodeo and pursuing a singing career; Andy overhears them.

Next time everyone goes into town, the Hotshots cause trouble by letting a bull escape and run through town. Curt (well, actually stunt double Jock Mahoney) bulldogs the ornery critter, saving a little boy in the street, but he doesn't do as tidy of a job as usual. Barbara takes him to the doctor to because of a ground burn on his arm, and as they walk together down the street, Andy starts worrying.

"That boy's too dang lovesick to be in top rodeo form," he says to Big Boy. "If we don't do something quick, he ain't gonna win."

They hire three women to come flock around Curt, each one claiming to be his wife. Curt calls after Barbara as she stomps off. The Hotshots are indignant:

"You can't break our sister's heart and get away with it, you bigamist!"

"He's a trigamist!"

"When do we see our lawyer?"

Later, Andy and Big Boy realize that Curt is doing much worse now without Barbara—he just goes moping around. Andy tells the Hotshots and Judy that he hired the women to frame Curt, but they have no luck talking to Barbara, who won't even give them the time to explain.

The rodeo events start, and Curt's performance is suffering. Andy wonders who will be the owner of his ranch.



Curt manages to win the bulldogging event, but he is still unhappy. When it comes time to draw horses for the bronc riding event, Curt gets Dynamite.

"Doggone it," Big Boy says. "The way Curt feels, he stands a good chance of being killed by that blasted outlaw."

The Hotshots, Judy, Andy, and Big Boy decide to "tell Barbara what's liable to happen to Curt if she don't make up with him." But when they go to her tent, she is gone. She left a note saying that she is heading back to Los Angeles and will meet her brothers there later.

Hoping to catch her before she finishes packing at the ranch, the Hotshots take off in a race against time. Andy and Judy stay behind to stall the rodeo as long as they can so Barbara can talk to Curt before he rides.

Just in the nick of time, the Hotshots and Barbara show up, and Barbara's apology puts Curt in the mood to win the championship . . . which he does.





Everyone (except Burton) is happy and singing, as the movie ends.





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Songs:

The Strawberry Blonde On the Strawberry Roan (written by Cindy Walker) (sung by Ken Curtis and the Riders of the Purple Sage)

The Dummy Song (written by Lew Brown, Ray Henderson, and Billy Rose) (performed by the Hoosier Hotshots)

Throw a Saddle On a Star (written by Andy Parker and [?] Hank Caldwell) (sung by Adele Roberts)

The Horse's Love Song (performed by the Hoosier Hotshots)

"Let's Be Merry" (performed by the Dinning Sisters)

I'll Take You Home Again (Kathleen) (written by Thomas P. Westendorf) (sung by Ken Curtis)

There's a Rainbow Over the Range (written by Tim Spencer) (performed by the Riders of the Purple Sage)

"The Bonnie Braes of Wyoming" (sung by Jeff Donnell and Andy Clyde)

Once in a While (written by Bud Green and Michael Edwards) (sung by the Dinning Sisters)

"Hillbilly Gaucho With a Rumba Beat" (performed by the Hoosier Hotshots)

Finale: The Strawberry Blonde On the Strawberry Roan





********************************************************************************

Throw a Saddle On a Star is a 1946, Columbia studios film.

74+ minutes running time.

Director: Ray Nazarro

Assistant Director: Thomas Flood

Producer: Colbert Clark

Screenwriter: J. Benton Cheney

Cinementography: George B. Meehan, Jr.

Film Editor: Arthur Seid

Set Decorations: George Montgomery

Art Direction: Charles Clague

Sound: Philip Faulkner Jr.

Music: Mario Silva






August 18, 2017

That Texas Jamboree (1946)




Plot: Sheriff Curt Chambers fights to put the town of Crescent City back on its feet, but gambler Brady has the town, including the mayor, under his thumb, and even manages to turn some of Curt's friends against him. Will Curt be able to win the election and become the town's new mayor, or will Brady succeed in keeping law out of Crescent City? 



Starring. . . 

Ken Curtis

Jeff Donnell
Andy Clyde
Guinn "Big Boy" Williams
Robert Stevens (aka Robert Kellard)
Kenneth MacDonald
The Dinning Sisters
     Ginger
     Jean
     Lou
Dick Elliot
Claire Carleton
Hank Bell
George Chesebro
The Hoosier Hot Shots
      Ken Trietsch
      Hezzy Trietsch
      Gil Taylor
      Gabe Ward
Deuce Spriggens and His band
The Plainsmen
Carolina Cotton


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Storyline Roundup: (note: SPOILERS)






In the year of 1890, the town of Crescent City is being controlled by a crooked gambler named Brady (MacDonald). He gets Curt Chambers (Curtis) elected as sheriff, but immediately regrets his decision when he sees that Curt will not be easy to control. Curt chooses his friend, Big Boy (Williams) to be his deputy.

Meanwhile, the Warren family, brothers Hezzy, Ken, Gil, Gabe, sister Jean (Donnell), and father Andy (Clyde), come back to town with their medicine show, selling Andy tonic made with "secret ingredients." Jean and Curt used to know each other before he enlisted in the army, and a romance blooms between them as soon as Curt stops her runaway wagon. He pretends to have been injured in the process, but Jean quickly sees through his ruse, and they both enjoy it.

In one of his first moves as sheriff, Curt closes down all of the gambling joints run by Brady. Chagrined, Brady has the mayor (Elliot) complain to Curt about the Warrens selling their tonic without a license. Curt has no choice but to ask the Warrens to close down. The Warrens are upset by Curt's request, saying that the job of sheriff went to his head, and that he's a turncoat. They all go to work at an outdoor cafe in town, run by Lulu Belle (Carleton), who is Big Boy's girlfriend.

Brady gets a special charter with the town mayor to open the gambling joints up again as private clubs, undoing all of Curt's work. Curt realizes that the mayor is completely controlled by Brady, and that he himself will have to run for mayor in the upcoming election if the town will ever get cleaned up.

He starts his campaign against Smith, the old mayor whom Brady wants re-elected, and things are going good . . . until Jean decides to run, too.

Jean gets all the women voters on her side, and all the women get their husbands on their side, and Jean is pulling ahead in the campaign. Brady starts to worry that Jean could be elected, so he launches the story that her father has been cheating the townsfolk by selling them tonic that is nothing more than spring water and bitters.

The town abandons Jean, and the Warrens blame the story on Curt. Curt goes to talk to the Warrens, and Big Boy finds one of Brady's men and "convinces" him to tell the Warrens the truth. That puts Curt and the Warrens—especially Jean—on good terms again, and Curt thinks that the story about Andy's tonic may be less true than even Andy thinks.

Racing against the time because they need to be back before everyone votes, Curt and Big Boy ride into a neighboring town to have the tonic tested by a chemist. They are ambushed at along the way, but manage to lose their attackers and make it to town, unharmed. The chemist says that the tonic actually contains a mineral element "of great medicinal value," and that he will ride back to Crescent City to tell the folks there about the tonic.

Meanwhile, the Warrens, Lulu Belle, Deuce and his gang, and the Dinning Sisters are stalling for time. Just when they can't hold out any longer, and people start filing into the polling place, Curt, Big Boy, and the chemist ride up. They had a little trouble on the way in, but lost their assailants with the help of some nitrous oxide—aka laughing gas—and they are just in time to save the day.

The town turns against Brady, and Jean withdraws from the election. "I can't very well run against my future husband, who I'm sure will make you a very good mayor!" she says.

Curt gets sworn in as mayor, and the movie closes in song.



Curt being sworn in as sheriff

Bad guys, Brady and Tom

"Injured" Curt

Hoosier Hotshots
Lulu Belle and Big Boy

Cleaning out a saloon

The Dinning Sisters

Curt singing during his campaign
The End







******************************************************************************





Songs:

Some Days You Can't Make a Nickel (performed by the Hoosier Hotshots)

Never Tangle With Old John Law (written by Ken Curtis) (performed by Ken Curtis with Deuce Spriggens and His band, and the Plainsmen)

"Wait At the Gate For Me Katie" (performed by the Hoosier Hotshots)

Prairie Serenade (written by Ken Curtis and Lee Penny) (sung by Ken Curtis)

I Still Remember (sung by the Dinning Sisters)

Down the Trail to San Antone (written by Deuce Spriggens) (performed by Ken Curtis, Deuce Spriggens and His band, and the Plainsmen)

There'll Be Some Changes Made (written by Benton Overstreet and Billy Higgens) (performed by the Hoosier Hotshots)

When Payday Rolls Around (written by Bob Nolan) (performed by Deuce Spriggens and His band, the Plainsmen, and Carolina Cotton)

Valley of the Sun (written by Ted Grouya and Donald Kahn) (performed by the Dinning Sisters)

I'd Like to Be a Cowgirl But I'm Afraid of Cows (written by Mac Boyle and Van Ness) (performed by Carolina Cotton with Deuce Spriggens and His band)

"He Swung a Senorita" (performed by the Hoosier Hotshots)

Finale: Down the Trail to San Antone/ He Swung a Senorita (performed by Ken Curtis, Deuce Spriggens and His Band, the Plainsmen, and the Hoosier Hotshots)




*Songs titles in quotations marks are just guesses; the songs might be called something else.


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That Texas Jamboree is a 1946, Columbia studios film.

67 minutes running time.

Directed by: Ray Nazarro

Produced by: Colbert Clark

Screenwriter: J. Benton Cheney

Story by: Paul Gangelin

Director of Photography: George B. Meehan, Jr.

Film Editor: Aaron Stell

Set Decorations by: George Montgomery

Art Direction by: Charles Clague

Musical Director: Mischa Bakaleinikoff